In the square of the Parc del Espolón, a tree has disappeared from the grid. What happened to it? Why hasn’t it been replanted? Starting from an anecdotal observation, our project appropriates this void, this anomaly becomes our opportunity. A Palo de Mayo takes its place, it’s the point of convergence of all the existing urban situations nearby; like a synthesis of the ingredients that make up this urban fragment. The freshness of the fountain at the Monumento al general Espartero, the soundscape of the Concha, the shifting lights of the peripheral roads. The verticality and materiality of the Palo de Mayo is on the same scale as the city. Our proposal is an invitation to party, gather and exchange. It’s a celebration of the city as we dream it, as we conceive it. It’s an architecture around which we all converge, no interior space or orientation, here the entire space of the city is an infinite pavilion.
[année] 2024
[programme] Installation urbaine et festive, dispositif sonore et lumineux interactif
[maître d’ouvrage] Concentrico festival
[ville] Logrono (ES)
[surface] -
[budget] 20k
[mission] Conception
[associé] Eugenio Nuzzo, Alex Roux, Anatole Poirier
[équipe] Juliette Simeone, Amélie Dandoy
[entreprise] ArtWorks (PT)
[photographie] Sara Cuerdo, Josema Cutillas